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Asian Saddle

Saddles in Asia date back several thousand years to the time of the Scythians and Cimmerians. Modern Asian saddles can be divided into two groups: Saddles from Central Asia, which have a prominent horn and leather covering, and saddles from East Asia, which have a high pommel and cantle. Central Asian saddles are noted for their wide seats and high horns. The saddle has a base of wood with a thin leather covering that frequently has a lacquer finish. Central Asian saddles have no pad and must be ridden with a saddle blanket. The horn comes in particular good use during the rough horseback sport of buskashi, played throughout Central Asia, which involves two teams of riders wrestling over a decapitated goat’s carcass. A Central Asian saddle from Kashgar, China. Saddles from East Asia differ from Central Asian saddles by their high pommel and cantle and lack of a horn. East Asian saddles can be divided into several types that are associated with certain nationalities and ethnic groups. Saddles used by the Han Chinese are noted by their use of inlay work for ornamentation. Japanese saddles frequently are covered in a thick lacquer finish. Tibetan saddles typically employ iron covers inlaid with precious metals on the pommel and cantle and universally come with padding. Mongolian saddles are similar to the Tibetan style except that they are typically smaller and the seat has a high ridge. Saddles from ethnic minority groups in China’s southwest, such as in Sichuan and Yunnan provinces, have colorful lacquer work over a leather covering.